241 Rolex Fresh to the Market and Well Preserved, Daytona, Chronograph Wristwatch in Steel, With White and Black Paul Newman “Panda” Dial, Reference 6262

Estimate: €130,000 –⁠ 260,000

Sold (Premium)€215,800

Model: Daytona "Paul Newman"
Reference: 6262
Case Material: Stainless Steel
Bracelet Material: Stainless Steel
Year: 1971
Movement: Manual
Caliber: 727
Case N°: 2750778
Dimensions: 37 mm
Signed: Dial, Movement and Case

Among collectors, the manually wound Daytona models remain highly coveted. These timepieces can be categorized based on various characteristics, such as caliber distinctions. Notably, there are four later references equipped with caliber 727, introduced in the late 1960s, and three earlier models featuring different calibers (72B, 722, 722-1). Another criterion for categorization is the type of bezel, with steel/gold options for 6239/6262 and 6265 or acrylic for 6240, 6241, 6264, and 6263. Additionally, the presence of either screw-down pushers (6240, 6263, and 6265) or pump pushers (all other references) distinguishes these models. One of the most captivating phenomena in the watch collecting market is the Daytona “Paul Newman.” Originally intended for the American market, it quickly gained admiration among Italian enthusiasts. Within Rolex, the year 1970 witnessed the launch of two Cosmograph references with pump pushers: the 6262 with a silver bezel and the 6264 with an acrylic bezel. These references, closely resembling the previous generation, boasted the upgraded caliber 727. This particular reference 6262 showcases a highly rare variant of the “Paul Newman” dial known as the “Panda” variation. The “Panda” configuration features a white matte dial that starkly contrasts with the black subsidiary dials and outer chapter ring. In excellent condition, this watch with its uncommon dial variation is sure to captivate discerning Daytona collectors. Adding to its allure is the fact that this timepiece originates from a private collection where it has been meticulously preserved for over 25 years.